“It may seem, not necessarily incorrectly, that, at the time of publishing, we are-especially in the western world-living in an unprecedented time for LGBTQIA+ representation in film and media,” Kyle Turner writes in the introduction to The Queer Film Guide, a compendium of 100 movies that tell LGBTQIA+ stories released earlier this year. And on TV, there was Jonathan Bailey enthusiastically sucking on Matt Bomer’s toes in Fellow Travelers, a series Nyswaner wrote, produced and created. There was Barry Keoghan guzzling Jacob Elordi’s juice in Saltburn. There was Paul Mescal licking cum off Andrew Scott on All of Us Strangers. By the time fall hit and the studios were ramping up to awards season, gay sex was suddenly everywhere: There was Bradley Cooper playing bongos on Matt Bomer’s bottom in Maestro. In the summer came the streaming blockbuster Red, White & Royal Blue, which set off all kinds of discourse-from straight people-around gay sex positions. Earlier this year, the great independent filmmaker Ira Sachs premiered his film Passages at Sundance to ecstatic reviews-and breathless conversation around the scene in the film where Ben Whishaw skillfully tops Franz Rogowski.
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